All press cuttings

'Morland Mixité Capital in Paris: From the Stone Cité Administrative to the Green Mixité'

‘I faked it at the beginning!’: David Chipperfield on his rise from shop designer to starchitect

‘David Chipperfield gana el Premio Pritzker’

‘Reiche Leute wollen nicht, dass arme Leute die gleiche Haustür benutzen’

‘Wir sitzen mitten in diesem Chaos, das Leben heißt’

‘Less a refurb, more a repair’

‘The curse of Mies van der Rohe’

‘Eine unsichtbare Sensation: Die Neue Nationalgalerie nach der Sanierung’

‘Colonnade connection’

‘Temple of culture’

‘Social Climbers’

‘Hallelujah, it’s a total makeover’

‘New light for old masters: revamp for jewel in the crown of British art’

‘Royal Academy expansion reveals hidden life of art schools’

‘David Chipperfield: “Architecture is in a sort of crisis"’

‘The Neue Nationalgalerie: the Refurbishment of a Modern Monument’

‘Straight Lines’

‘Lasst die Künstler ran’

‘How David Chipperfield plans to remodel the Royal Academy of Arts’

‘Die Sanierung der Neuen Nationalgalerie’

‘Ein Gebäude zu entwerfen ist kinderleicht’

‘Berlin hat fast zu viel Geschichte’

‘Plattenbauten sind hässlich, aber hilfreich’

‘Modern classic’

‘The Back Story’

‘Jagged edge’

‘Elegant in die Lücke eingepasst’

‘Modern Master’

‘A solid achievement’

‘Photos of Chipperfield’s buildings cannot convey their transformational power’

‘St Louis Art Museum extension: an age of enlightenment’

‘Chipperfield deja entrar a todos’

‘Paris: Robust and refined’

‘David Chipperfield: Abandoning the architectural soliloquy’

‘Coming down to earth’

‘Building a brighter future at the Venice Biennale’

‘Construction and society’

‘Venise, Canal Collectif’

‘Chip off the old blocks’

‘Museum Folkwang’

‘Hepworth comes home’

‘White light dazzles at the Turner’

‘Britain's unsung master, finally making himself at home’